Though Anver Abdulla is an accomplished name in Malayalam Detective fiction (he has given us some genuinely memorable detective Novels like Compartment and Onnaam Saakshi Sethuramaiyyer), not many know that he is also a screenwriter and Director. The writer’s fascination for the film industry has been evident in some of his past work (Operation Blue Star, Republic, Camera- the Novella in ‘Kappal Chethathinte Raathry’). But it is in 1980 (his latest work and the fourth installment in the Detective Perumaal franchise), his knowledge and mastery over the visual medium has come out in full glory.
One night, an old acquaintance turns up in
Detective Perumal’s house with a rather odd request- re-investigate the
accidental death of the yesteryear Super Star Jagan! Jagan died almost 40 years
back in the sets of a film named Padayorukkam during its Helicopter
climax fight sequence shooting, which had received widespread media attention. So,
when the Detective is confronted with this rather strange request, he is taken
aback by the sheer absurdity of this request and he immediately dismisses it.But a rather strange
turn of events forces him to go back on this decision and pretty soon Perumal
finds himself in the middle of the most challenging murder investigation of his
career. Will he be successful in bringing out the mystery behind one of the
most ‘notorious accidents’ from the past? 1980 is the story (but not limited to
) of this latest investigation by Detective Perumal.
1980 is a work never
confines within the limited realms of crime fiction .This can also be called as
a a work of speculative and altered
historical fiction. With almost all the characters modelled on real-life
personalities and real-life events, and the author’s perspective and
imagination spicing up the proceedings, it often becomes impossible to
distinguish the thin line between fact and fiction. Even the enigma around the
late actor Jayan’s unreleased film (Panchapaandavar, incidentally set in
Bombay) which had a stellar cast of Jayan, Raghavan, Poojappura Ravi and two
others gets the author’s take in 1980. The Novel also serves as an ode to the
Malayalam Cinema of the 70 s and 80 s. The story also has genuine heart warming
moments. The episode involving the yesteryear stunt master , and his final moments were delicately done.
It is also pretty evident that the writer has also been inspired by some of the
youtube interviews of yester year technicians of Malayalam and Tamil Cinema. It
is remarkable that Anver Abdulla could come up with a gripping tale around an
incident that shook not only the Film industry , but the whole of Indian Film
Industry in the 80 s. The incident also paved the way for serious debates about
the safety in the film shooting sets.
On the
downside, the book also has it’s own share of cheesy moments. Some of the wild
guesses of Perumal, including the speculative theory about Jagan living a
secret life in America turned out to be unintentionally funny. Like wise, the
portions pertaining to M.V.R’s crush with Saumini was also stretched a bit too
far. Also at times, the reader finds it extremely difficult to differentaiate
the real life personality from the fictional character. You also feel like
Kamalhassan, Prem Nazir, MG.R, Latha , Balan K Nair, I.V Sasi, Seema et al are
reprising their real life roles as fictional characters in the Novel which was
some sort of dampener for the reader in me.The climax was also a bit
convenient.
On the whole,
these minor flaws aside, 1980 is a brilliantly written work by one of the
finest writers of Detective Fiction in Malayalam.
-nikhimenon
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